All Frameline Encore Screenings are free and open to the public. No tickets are required.
Co-presented by: Cine+Mas SF / San Francisco Latino Film Festival & The National Center for Lesbian Rights
Expected guest: director Deborah Esquenazi
Trailer: http://www.southwestofsalem.com
During the “Satanic ritual abuse panic” of the 1980–90s, a pervasive fear rang throughout conservative communities and the media as cult activity, sexual perversion, and homosexuality were often linked as inte...
All Frameline Encore Screenings are free and open to the public. No tickets are required.
Co-presented by: Cine+Mas SF / San Francisco Latino Film Festival & The National Center for Lesbian Rights
Expected guest: director Deborah Esquenazi
Trailer: http://www.southwestofsalem.com
During the “Satanic ritual abuse panic” of the 1980–90s, a pervasive fear rang throughout conservative communities and the media as cult activity, sexual perversion, and homosexuality were often linked as interconnected “evils.” (Remember the West Memphis Three of the Paradise Lost documentaries?) At the tail end of this hysteria came the disconcerting case of four Latina lesbian women in San Antonio, Texas, who in 1994 were accused of a heinous sexual assault against two young girls. Southwest of Salem is an extraordinary account of the nightmare that unfolded for these women—a nightmare that continues to this day.
At first the women cooperated with authorities, facing the initial baseless accusations with faith that the truth would prevail. Yet the trials were marred by the bias of a homophobic police department, jury, and court; their sexuality criminalized, the women were convicted and received sentences ranging from 15 to 37 years. The film charts the remarkable efforts of The Innocence Project (fans of the podcast Serial will be familiar with the organization), whose lawyers work tirelessly to debunk outdated scientific evidence and to ally with one of the alleged victims (now an adult) during their epic fight for exoneration.
The interplay of home movies and intimate interviews from prison offer stirring insight into this tight-knit group of friends and how their lives have been devastated by these ghastly accusations. Emotional and heart-wrenching, director Deborah Esquenazi’s frank examination of the rampant prejudice and systemic failings of the criminal justice system sets itself apart from the current proliferation of wrongful-conviction stories by focusing on the personal impact on the women and their families.
— Holly Roach
This film contains discussions of sexual assault.
