33 1/3rd Discussion #2 w/Evie Nagy & Marc Weidenbaum

Join us as Marc Kate moderates a conversation about two very different iconic electronic albums. FREE no byob the books discussed and others from the series will be for sale refreshments for sale any book purchase for $6 or more = gets a free refreshment ------------------------------------------------------------------------ Evie Nagy is a music, culture and business journalist who has been a staff editor and writer at Rolling Stone, Billboard and Fast Company. Her work was published in Best Music Writing 2010, and she co-wrote the afterword to Out of the Vinyl Deeps, an anthology of rock writing by the late Ellen Willis, the New Yorker's first pop music critic. She currently lives in Oakland, CA. Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip. Before an artistic and commercial decline that resulted in a 20-year gap between Devo's last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through first-hand accounts from the band and musical analysis set against an examination of new wave's emergence, the first-ever authorized book about Devo (with a foreword by Portlandia's Fred Armisen) explores the group's peak of success, when their hermetic seal cracked open to let in mainstream attention, a legion of new Devotees, and plenty of misunderstandings. "Freedom of Choice was the end of Devo innocence–it turned out to be the high point before the s***storm of a total cultural move to the right, the advent of AIDS, and the press starting to figure Devo out and think they had our number," says Casale. "It's where everything changes." Evie Nagy's 33 1/3 book on Devo's Freedom of Choice is fantastic, nerdy, swift and meticulous, and the book you have been waiting for if you even like Devo a little bit.” – Jessica Hopper, Senior Editor, Pitchfork “...a solid look back at the point where everything changed for Devo ... Nagy gets Devo's mix of nerdishness, humour, and serious political intent … bringing together new quotes from Devo members, others involved with the album, people from Devo's circle over the years, as well as bits from contemporary articles to tell a story that's well worth reading for anyone interested alternative music or 1980s pop culture.” – TheFifteenth “Nagy's look at Devo offers some great anecdotes for the spuds out there. There are coked-out stories about the band in the studio and on the road, as well as a look at how the oddball aesthetic of Devo left its fingerprints on nerd culture over the last few decades, maybe even initiating the whole geek chic thing.” – Hubert Vigilla, Ruby Hornet “Nagy has conducted interviews with the remaining Devo members, has quoted extensively from interviews and has told in detail the history of the album including the elaborate studio sessions with producer Robert Margouleff ... This is compulsory reading for fans.” – HHV-mag (Bloomsbury translation) “Get straight! Go forward! There's no Hazmat jacket required to whip through Freedom of Choice, which motors through Devo's rich history with all the relentless precision and curveball flourishes of their greatest works, and-best of all-vividly renders the very human souls behind the automaton anthems that devolutionized an era."” – Sean Howe, author of Marvel Comics: The Untold Story ““Spuds will love the nostalgia and the insiders' information in Devo's Freedom of Choice … Non-spuds who think of Devo as a one-hit wonder will be surprised to read of Devo's impact and musical influence. Spuds and non-spuds alike will want to dust off their old LPs or cassettes, or pull up some songs on YouTube, and relive the early days of Devo, a great band ahead of its time.”” – Reading Glutton ------------------------------------------------------------------- Marc Weidenbaum founded Disquiet.com in 1996. A former editor of Tower Records' Pulse! magazine, he has written for Nature, Boing Boing, and The Atlantic online and lectures on the role of sound in the media landscape. Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes. “Mentioned on LineOut.” – The Stranger.com “If you're already a fan of Aphex Twin, you'll revel in Weidenbaum's deep dive into one of the artist's signature works. If not, you'll be surprised to learn that you've likely already heard his music in one form or another.” – S.T. Vanairsdale, The City (SacTownMag.com) “the 'extravagantly opaque, willfully vaporous' chillout room masterpieces of electronic composer Richard D. James, aka Aphex Twin -- basically what everyone in the 1990s listened to as they swept up/came down after the rave -- get the business from incisive SF writer and archivist Marc Weidenbaum. And really, the pairing couldn't be any more delicious.” – Marke B., San Francisco Bay Guardian “Like all good critical studies, Aphex Twin's Selected Ambient Works Volume II doesn't provide the illusion of closure; rather, it expands minds, fostering the creation of textual meaning. I can offer no higher praise.” – Caught in the Carousel, Paul Gleason “It's not easy writing about ambient music. It is hard to describe how it sounds, and it is also hard to describe how it makes you feel. Weidenbaum avoids these problems by writing about the track listing, the names of the songs, the circumstances of the creation of the album, the reception of the album, and how it was used in movies...Some of Weidenbaum's approaches to discussing the album are illuminating. He explains how SAW Vol II was developed for chill out rooms at raves when people were coming down from long hours of dancing and drugs, and they needed something both restful and energizing.” – Christian Perring, Metapsychology Online Reviews “Weidenbaum, editor of the Disquiet music/sound website since 1996, is a lucid listener. His book offers deep insights into what makes the individual tracks so startling.” – Derek Walmsley, The Wire “Marc Weidenbaum packs a lot into these 130 pages: a mini-biography of a ground-breaking artist, a capsule history of ambient music, and an example of how digital technology determines how we hear and interpret music.” – Stephen M. Deusner, Pitchfork